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The Princess in the Tower

tower gurrrl

“It’s about time you woke up.” a relieved smile breaks over an exasperated face. The girl blinks.

“Did you just kiss me?” she asks, pushing herself to her elbows. Does she know this guy? He’s awfully familiar, sitting on the edge of her—fingers stretch to tap the angled glass of open lid above her prone body. Glassed in bed set?

“CPR. May I?” he extends a hand. Helping her to a nearby chair, he hands off a scroll the instant she’s situated. She unfurls it, revealing an image of a coffee pot festooned with an image of half-open eyes.

“I’m sure that will help. Easy does it, Princess. You’ve been powered down awhile.” Glancing at a bracelet attached to his forearm at the wrist, he taps a reflective, flattened pendant.

“Make that a long while—and 56 seconds. It’ll take you a bit to get your sea legs.”

“Sea legs.” the girl repeats. “But we aren’t asea—are we?” anxiously she turns toward the window, reassured by the lack of liquid horizon in the vibrant night firmament. My, there are a lot of shooting stars in the sky tonight.

“You need to reboot.” He says matter-of-factly. She glances at her velvet-slippered feet, a fragment of memory returning.

“I’m not the glass shoe Princess.”

“As long as you’re awake, I don’t care what princess you want to be.” the man thrusts a handful of lapel pins toward her. A hodgepodge of hearts, smiley faces, and penguins, of all things.

“I’m not Thumbelina, am I?” she asks, unable to disguise the horror the thought of being that diminutive digit instilled in her.

“You’re not. Why do you ask?”

“It’s just—well—your hands!” she chokes out, extending a timid index finger toward his well-shaped thumb—and his next—and his next—and his next, all on the same hand and that’s not even counting the thumb, thumb.

“That’s a lot of opposable digits!”

“You should talk. Look at your archaic hands. They’re hopelessly obsolete.”

“I like them just fine, Monkey Man.”

“I mean, they’re never going to repackage that model—what? What did you say?”

“I said—”

“I heard you.” the man’s tone is peeved. “I’m going to report that remark.” the nattily dressed fellow flexes all five of his infinitely jointed digits downward. “Put on one of those frownie face buttons right now.”

“You mean this?”

“It’s like you’ve been under a rock!” the man declares, fastening an unhappy circle of yellow to her bodice. Flattening his empty palm, his thumbs wiggle impatiently. “And I’d appreciate it if you’d give me back one of those heart buttons.”

“But you just gave those to me.”

“Make that two. I’m not getting anything out of this interchange at all.” the man sulks, brow furrowing, but 8 of his thumbs snap after only a moment. Walking to the door, he flings it wide.

“F*cking cabbages!” he yells.

“That’s odd. The doorbell sounded after you opened the door.”

“F*cking cabbages-one!”

“There it is again!”

“Dollar sign F*cking cabbages-one!” the man bellows, and this time, the answering doorbell sound is octaves lower.

“Where are we going?”

“Nowhere at all. Make the duck face, would you?” the man says, grabbing her elbow and pulling her onto a blinding white walk edged in royal blue. Bracing his hands to his knees, he hunches over, and hyperventilates several times.

“The Prince is in a relationship! The Prince is in a relationship!”

“Why are you screaming like that? There’s no one here at–ouch! What the hell?” reaching for her crown, the Princess removes a curved UFO from its filigree carefully.

“Gimme that!” the man barks, even as similar items rain down on all sides. Leapfrogging to retrieve them all, he fans his curved, plastic catch proudly. “15 already!”

“15 what?”

“LIKEs! For our relationship status.” his expression grows dopey, and he pulls her to him. “I’d like to comment: You are one sexy babe, and I like you at least 15 times—” he breaks off, dodging to catch another stamped boomerang coming in low. He consults it before adding: “16 times as much as I did a minute ago.”

“I’m going back inside.”

“And I’m going to a friend’s.” the man says, and frankly, the girl is relieved. It’s hard enough to gather her bearings without the freak of nature’s commentary, so it’s especially annoying when he returns just seconds later.

“No one home?” she says, and the Prince is surprised.

“Of course my friend was there. Where else would he be?”

“But you weren’t even gone a minute!”

“That long?” he says. “Hey! What are you doing?”

“Wake me when it’s the next millennium.” the Princess says, arranging her dust cover before pulling her transparent berth closed. “If you LIKE.”

~

Shut Down

 

Past Tension

 

Be vigilant

as Presents pass

as you age

and time goes fast

) uncaging (

↓ Hands ↑

of Death

>that grasp<

Watch carefully

for portents…

Yesterdays

Will come too soon

remember when’s

In empty rooms

Galloping toward your

own doom

a taunting mean

of morbid

Without

the warmth

Of bloodlines own–

–Concerns and care

of family known–

–the hearth ♥ that makes

A house

 a home

Wrought over Time—

–is torment.

pocketwatch

©Karen Robiscoe

 

I Figure 8

Karen Robiscoe dba CHARRONs CHATTER
 
I am weird.

Yeah.

>strange<
 
 
uh-huh, and lately—a little weirder.

I am good with that handle, though.

Weird = wild & unscripted

Mass = energy squared

Disturbed = fallout

and Weapons of Mass Disturbance

render marvelous fallout.

Fallout that endures, & naturally, too.

Think of:

disturbed water

Waterfallling

& waving

&…uh…rapid’ing

only few intrepid enough to ride.

Think of:

disturbed earth

quaking & shifting

great slabs of crust insisting on marvelous peaks

unseen or scaled

by the more grounded man.

Think of:

disturbed core

roiling & spewing

effluvium that

creates islands

of solid stone

hardly any can inhabit.

(permits are a bitch to get, mostly)

Yeah, I’ll take that disturbing label.

That “weird” handle.

If it makes you feel better, but I won’t wear clothes to suit anymore.

Gloves, either.

I will wear my madly

“mis-matched” outfits

mix plaids with ruched satin

tulle with burlap & spikes

short-shorts with turtlenecks

colors of rainbow disregarded,

and no storms necessary for this light show.

I will be impeccable,

as I out

~fit~

hemming in vestments to intricate

Tease & Eyes

flaunting my awesome figures

(all 8’s)

my hourglass shaped

in finite Time

tilted sidewise toward infinite

–possibility

the sands running through me

–shore.

©Karen Robiscoe

Puttin’ on the Dog

 

Karen Robiscoe dba CHARRONs CHATTER

a barker at market

marketing parkas

told me to park it

beneath his marquee…

Remarking my burqa

was yesterday’s jerkin

and hurtin’ for certain

the way I’m perceived…

Shaking out tunic

in shaking down movement

he barked that most sheiks

are taken with frayed

–fringes and edges

as long as alleged

unraveling hems

are finest of suede…

Then trading my jacket

in bartering racket

before I could counter

my coat was replaced,

by fast talking honcho

hawking pseudo-suede ponchos

to passing by pawns

showing poor fashion taste.

©Karen Robiscoe

 

Pan’s Posture


 
U can’t get mad at faeries,

especially demon faeries,

it isn’t good for anyone concerned…

no, never.
 
 
It’s not as if it’s the demon faerie’s fault.

Luci in the Skiff with Demons

assigns as she will

an’ that’s all there is to it,

particularly if a faerie gets the business end of the Pitch’

(the big Pitch)

as the 8th circle

as residence

is an eternal ass pain

& makes one quite sidewise, for all the precognition, cheap knock-offs, and flattery

as anyone in the 7th circle has already told you, I’m sensing

Q: when are 2 circles 1, yet infinite, and still only part of 9?

A: see Dante…
 
 
It isn’t as if a demon faerie doesn’t do good while she’s here, too,

along with the requisite # of shenanigans

–spritely activities to spite that Pitchy Bitches intent–

but the end justifies,

doesn’t it?

well, maybe
 
 
But you can’t look for nobility in demons.

You can appreciate the extreme duality a hybrid represents, however.

chiefly 1 on 1

since 2x the trinity

is 6, and—well, you see where I’m going with this

>not in Bedrock, anymore<

to Hellywood & Back because that’s beside the *points*….

Y the number of people

inspired

guided

and brought together by a demon faerie can be profound

–to an outside observer.

Not the demon faerie, though.

Not to brag, but I set the bar, here.

Uninspired & posing ways to lose herself.

It’s how it is, was, and must be– it seems–

yes, always.

 ©Karen Robiscoe

the hUman zoO

 
social_newtworking
 
I: log on

—lose 1 dimension

&_link
 

look &

* enter *

(use 2 endviews)

sentient, I

LIKE

COMMENT

SHARE

thumbing the widgets

regarding exhibits

a,

b

c &

2D-digit-mensional

Too-DPI-dreamlike

Too delusively ersatz

4 id’juts

(like me)

whereas the action is not.

(a)—Human·is Corruptus

candid and caught in action

(b)—Human·is Unkindus

simulating real-life situations

they look the other way

for personal CTA

(c)—Human·is Unsoundus

without volume

&

without speaker

some ♥

this unnatural

but I need jams!

(d) side it’s Humanity

shudder & disregard

> iDisregard <

knocking on

doors more

3-D…

©Karen Robiscoe

Modern Day Writer

 
The Screen Borrow - second installation in the Cyberland series - coming soon!
 
a Modern day Scribe must write

first and foremost

attending to the guts of a story as if it might never be read

revealing in great detail the smudges on light bulbs long trashed,
 
 

the same smudges to which any handled object is subject,

but few dare own.

Surrendering pride

the Modern Day Writer writes because she knows

—knows someone has to record accuracies

distortions, even

satires and parodies—

versing excursions

and lessons only learned in detention,

but accurate.

The Modern Day Muse is possessed.

Scribbling characters.

Characters by word.

Blacked reflections of

experience perceived,

sometimes reactions

rarely redactions—

since the Modern Day Truth Teller is

unconcerned with falderal

such as popularity

knowing, as she does,

that veracity will endure in a manner

prettiest eyes,

lies,

and cleanest ass

—will not.

The Modern Day Poet

aches with every

interaction

bruised by careless rabble

more counterfeit than compliment

(like China)

original thought diluted

by virtue of sleeping heard

Still, the Modern Day Writer wields this pain

as pen

all pain, really.

an act that can compound

but might diffuse

often astounding the scribe herself

as it disperses

into all that’s unwritten between lines

that the best Modern Day Writers include.

©Karen Robiscoe

To buff up on Modern Day Faeries–click here!